If you have any suggestions for what plug-in to analyse next, please let me know. I hope you enjoyed this article, I certainly enjoyed creating it and will do many more when time allows. It is worth noting that Dyn In and EQ In (at unity) had no effect on frequency or phase response. These properties were continuously variable when adjusting I/O parameters. Wow! Just look at the difference in frequency and phase responses. Mic input at the midway point (with XFMR) Red - phase shift of the plug-in at that particular setting
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White - frequency response of the plug-in at that particular setting
#Abaqus 6.14 compatible with windows 10 software#
Yellow - noise generated by the plug-in analysis software to analyse the plug-in What I am looking for is the frequency and phase response of the plug-in at unity and how particular settings change this relationship. So if the harmonic generation and saturation characteristics are very similar, you may be asking why the unit sounds different at different settings. I bet you are thinking shut up Paul and let me have a listen for myself… Very subtle differences in waveform, the most noticeable difference was the 1 dB attenuation when the XFMR was engaged. To analyse the non-linear behaviours of the SSL 4000 E Channel Strip, I ran a 100 Hz sine wave through the plug-in at various settings.ġ00 Hz sine wave at 0 dB through Line input at Unity When Fast is engaged, the attack time is fixed at 100 microseconds per 40 dB of gain reduction. When Fast is engaged, the attack time is fixed at 3 milliseconds for 20 dB of gain reduction.Įxp/gate attack time is fixed at 1.5 milliseconds per 40 dB. Release time is continuously variable between 0.1 seconds and 4 seconds.Ĭompression attack time is program dependent and automatically varies between 3 ms – 30 ms. The compressor allows for a wide variety of dynamics response, from transparent to aggressive.Īt heavy compression settings with quick release times, the SSL design has a similar room-expanding quality as the UREI 1176 on signals such as drum overheads and room mics. The slope of the low pass filter is 12 dB per octave in both Brown and Black modes.Ī neat trick for toggling your filter settings in/out is to click the ‘Out’ text. In Black mode, the slope of the high pass filter is 18 dB per octave. In Brown mode, the slope of the high pass filter is 6 dB per octave. The Brown EQ bands can be boosted/attenuated by ☑5 dB whereas the Black has a range of ☑8 dB. The classic Bbrown EQ is less exacting and musical, while the more modern Black circuit is more surgical and clean. There are two distinct EQ circuit topologies available in the SSL E Channel Strip.
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The preamp module offers a true reproduction of the famed SSL 001 preamp circuit and its full-of-character Jensen input transformerĪccurate emulation of the dbx output VCA circuit, including clipping. Its expansive, punchy, deep and assertive character have made it an industry standard of modern recording.
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The SSL 4000 is famous for being the console employed on more Platinum-selling records than any other.